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Alec Jarnagin
Shots
| 30 Rock |
Good Walk-and-Talk |
| Make a Wish Foundation |
Meet Cam Neely |
| MTV |
VMA's Best New Artists |
| Rescue Me |
A Laborious Fire |
| Rescue Me |
Tommy's Dream |
| Rescue Me |
Best Part About Arson |
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Q & A
| Do you remember the first time you saw or heard of the Steadicam? |
| I was just out of college. I met Charles Papert who was DPing a corporate shoot. |
| What was it about the Steadicam that made you want to pursue it as a career? |
| The magic and physicality of it. |
| What were you doing prior to Steadicam? |
| I was an electrician. I wanted to become a cameraman. I was working in a kalideoscope factory. |
| What were some of the biggest challenges you remember about becoming a Steadicam operator? |
| Being able to afford it. Getting yourself known - figuring out how to publicize yourself. Getting to know other operators. |
| What are some of the biggest challenges now? |
| Longer format jobs put you unavailable for long periods of time and take you off the radar of many jobs. |
| Did you ever have a "big break' moment? A career event that clearly changed or paved the way for everything to follow? |
| DP Tom Houghton offering me a job on "Love Monkey". It paved my way into episodic work. |
| From whom do you take your inspiration? Has that changed over the course of your career? |
| My wife, Garrett, Charles, and young students. They aren't jaded...the sky's the limit...no obstacles...they have pure excitement. |
| Is there a shot, film, or moment in your career that you can think of as your most proud? |
| A lot of moments for different reasons. "Rescue Me" oners were the most rewarding in their sheer physicality and logistics. I felt I was really able to tune into the look of the show and elevate it. |
| Is there a shot or film you can recall as being your most challenging? Why? |
| The hardest shots are frequently the ones that initially seem to be the easiest. I'm proud of the "Levis" spot - watching it come together exactly as I'd planned was great. I'd visualized it in prep and then "connected the dots" on set. |
| What work of your peers do you admire? |
| So many. Larry, Garrett, Charles, Jimmy Muro... The opening shot of "Bonfire" is operating at a different level. |
| Many people will say they've tried on a Steadicam once, and immediately thought, "absolutely not." What do you think is different about those of us that say "absolutely"? |
| A love for physical and mental challenge. Steadicam is a perfect hybrid of the two. We continue to roll up our sleeves and humble ourselves with this instrument. |
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